Points Of Interest

Established in 1988, Hsi Lai Temple is the culmination of over a decade of dedication from Buddhists both locally and internationally. We are home to an active community of both monks and nuns, and serve as a local center for Buddhists to come learn and practice. The temple is organized in a traditional symmetrical layout and provides a rare example of Chinese imperial-style architecture in the west.

Main Shrine

The Main Shrine is called the Treasured Hall of the Great Hero and dedicated to Sakyamuni Buddha, Medicine Buddha, and Amitabha Buddha. Flanking these three buddhas are two towers. These are called Wisdom Lamps and are one of the many offerings that visitors to the temple collectively provide. Along the walls are thousands of smaller buddhas. These are each sponsored by a devotee and serve to show a connection between ourselves and the buddha within each of us. It also illustrates how there are infinite buddhas in Mahayana Buddhism because every sentient being has the potential to become a buddha.

This is the center of the temple’s activities and is where most religious services happen. Aside from services for the public, the temple’s monastics gather each morning and evening for prayers. The weekly Dharma service is conducted every Sunday in Mandarin from 10 am to 12 pm. Those not versed in Chinese may chant along with English liturgy books with both translation of the meaning and the pronunciation of the Chinese text. There is also a Dharma service conducted entirely in English at 1:30 pm on Sundays in the Memorial Pagoda. There is no significant reason that Dharma services are conducted on Sunday other than out of convenience as most people have the day off.

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Amitabha Buddha of the Western Pure Land

Amitabha Buddha of the Western Pure Land of Ultimate Bliss on the west side of the shrine, seated to our left of the historical Buddha, holds a lotus flower in his hands. He is associated with rebirth because as a bodhisattva, he made 48 vows to construct an ideal realm for Buddhist practice. Thus, many Buddhists throughout the world seek to be reborn in this realm after their current life so that they may swiftly progress on the path and eventually help liberate sentient beings themselves.

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Sakyamuni Buddha, our Original Teacher

The central Buddha is the historical Buddha, Siddhartha Gautama, known within Buddhism as Sakyamuni Buddha (the Sage of the Sakya Tribe). In his hands he holds an alms bowl, showing his humble life as a monk. Over 2600 years ago, he was born as a prince in modern-day Nepal and renounced his lavish palace life in search of spiritual awakening. After six years of cultivation, he attained awakening and spent the rest of his life teaching others a path of compassion and wisdom. In Buddhism, we see the Buddha as our teacher, and we strive to learn from his teachings and his example.

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Medicine Buddha of the Eastern Pure Land

Seated to our right of the historical Buddha on the east side of the main shrine is the Medicine Buddha of the Eastern Pure Land of Pure Beryl. The Medicine Buddha is distinguished by the pagoda in his hands. This symbolizes all of the wisdom or “prescriptions” that he can access and provide to individuals looking for the cure that will aid in the resolution of suffering. As a bodhisattva, he made 12 vows to help sentient beings resolve basic needs such as food, shelter, and medicine so that they may have the conditions to practice.

Bodhisattva Hall

The Bodhisattva Hall is the first hall that visitors to the temple encounter. It enshrines five major bodhisattvas who embody different virtues in Buddhism. The architecture of the hall and the rest of the temple is inspired by late-imperial Chinese architecture. The burgundy columns and yellow glazed roof tiles are reminiscent of the Forbidden City and common to many temples in Taiwan.

Once visitors make their way up to parking level one, a flight of red granite covered stairs will lead to the first shrine. The temple has been designed to reflect the traditional architectural Chinese styles of the Qing and Ming dynasties . Note that the colors of maroon red, gold and green are similar to those used on the palace of the Forbidden City in Beijing China. Originally only such colors were reserved for the Emperor and it was only through special dispensation that temples were given permission to use such colors. Notice the ceramic figurines located on the corner of the eaves. Originally the figurines were used to hold down the tiles securely, but they also inform us about the importance of the structure itself. More figurines means a more important building.

What is a Bodhisattva?

In Buddhism a bodhisattva is an individual who seeks spiritual awakening for the benefit of all beings. This is typically characterized by making vows like the ones seen on the pillars of the Mountain Gate. This vow is the seed that continues to inspire this individual to continue this practice after many lifetimes. The practice of a bodhisattva is one that emphasizes forming affinities with others just as much as self-cultivation. That is, while Buddhism is often associated with silent meditation, the practice of a bodhisattva never ignores the needs of sentient beings in the world. Upon completing the path of a bodhisattva, one becomes a buddha. Thus, bodhisattvas can be called “buddhas in training.”

Dharma Protector Niches

When facing the shrine, to the far right of the structure is a niche that contains the Bodhisattva Skanda, an Indian protector of Buddhism. As Buddhism grew and spread throughout Asia, many local deities were adopted as protectors. Skanda is one such example. In one tale, he was responsible for recovering the Buddha’s relics, which had been stolen shortly after cremation. In another story, he was the youngest in a line of one thousand princes who each had vowed to become a buddha. As the youngest, he vowed to support and protect each of his older brothers, and only once this was completed would he attain awakening himself. Thus, he is currently a protector of the buddhas. In the monastery, he is seen as the embodiment of discipline and self-restraint. To the far left in another niche is the Bodhisattva Sangharama. He is derived from a popular Chinese folk hero and historical general, Guan Yu. While Guan Yu is popular as a Chinese folk deity representing righteousness, and also the subject of many films, TV shows, and even video games, there is a uniquely Buddhist story of why he is a protector of the monastery. After he was captured and executed in war, there were reports of him haunting the land, galloping throughout the plains on his horse in search of his lost head. Eventually, he encountered the esteemed Buddhist monk, Master Zhiyi, who urged him to reflect on how many heads he had cut off in his own lifetime. Guan Yu’s restless spirit felt great remorse towards the violence he committed and vowed to change his ways. He then became a protector of Buddhism in China and has been revered ever since.

Diamond Sutra and Altar

On the wall below the Five Bodhisattvas is the Diamond Sutra, a scripture on wisdom which has been translated from the Indian language of Sanskrit to Chinese. A sutra in literal terms is a thread, but can be thought of as a Buddhist scripture. This sutra is read from top to bottom, right to left. This sutra is one of the most revered and respected sutras or verses within Chinese Buddhism and is equated with the Buddha himself. The Diamond Sutra is a discourse between the historical Buddha and his disciple Subhuti on the nature of reality. Just below the Diamond Sutra is the altar. Here devotees will leave various offerings such as incense, flowers, and candles. Visitors and devotees may also purchase pre-assembled offering plates within the Bodhisattva Hall at a minimal cost. Most members of the temple will also make their own offerings and leave them at the altar that will be collected, cleaned by temple staff, used, cooked and consumed by the temple. No items are wasted. Devotees often collect their offerings before leaving and bring them home to share with family and friends.

Samantabhadra Bodhisattva

Samantabhadra is foremost in practice and sits on a white elephant with six tusks. The six tusks represent the Six Perfections in Buddhism. These are generosity, morality, tolerance, diligence, meditative concentration, and wisdom. Through constant practice of these Six Perfections, we progress towards awakening while also benefiting other beings.

Memorial Pagoda

Located at the summit of the temple grounds, the Memorial Pagoda is a solemn space where devotees come to make offerings in memory of their loved ones. The Pagoda enshrines Ksitigarbha Bodhisattva, the embodiment of great vows, in reference to his vow of liberating all beings from the hells before attaining awakening himself. Surrounding his image are thousands of small plaques memorializing the deceased. There are private services conducted at the Pagoda every morning and evening in memory of the deceased enshrined here so that they may find peace and rebirth in the Pure Land of Amitabha Buddha. The English Dharma Service also takes place here every Saturday morning at 11:00 am.

Dining Hall (Vegetarian Buffet)

The vegetarian buffet is open for lunch every day of the week and provides a rotating assortment of freshly cooked vegetables, noodles, rice, and soup. In accordance with Chinese Buddhist vegetarianism, the food served in the dining hall does not include any meat, shellfish, or pungent plants (garlic, leeks, onions, chives, etc.). The temple also does not add any MSG to its food. Immediately following Sunday morning’s chanting service, the temple holds a formal Buddhist meal in the dining hall which involves eating silently as a meditative practice.

Arhat Garden

An arhat is an individual that has reached preliminary awakening. The Arhat Garden displays eighteen notable disciples of the Buddha and depicts them in their everyday life. These figures are associated with early Buddhism and the foundational teachings of the Four Noble Truths.

Avalokitesvara Garden

As we move to the opposite side of the temple we will come across the Avalokitesvara Garden or Guanyin Garden. Notice the central figure Guanyin and the vase she holds, from which the flowing water of great compassion provides the water for the waterfall. She is flanked by the Dragon Maiden, Longnü, and the boy Sudhana.

Four Heavenly Kings

The Four Heavenly Kings each protect sentient beings in one of the four cardinal directions. Each Heavenly King carries a different item, which, when put together, form the phrase “gentle breezes and timely rains” in Chinese.

Dragon Kings

The four Dragon Kings located in the forefront of the garden are also Dharma Protectors. The four Dragon Kings protect the four oceans in Chinese mythology. In Buddhism, the Dragon King stored many sutras in his palace to preserve them for future generations.

Hsi Lai Library

Located at the temple, guests are welcome to come and visit and read the materials we have to offer.

Our library offers a large array of Chinese and English books, magazines, audio tapes, and other digital materials. Also available are a collection of Venerable Master Hsing Yun’s translated works as well as canonical scriptures.

For materials that you can check out, you may apply for a Fo Guang Card. You may temporarily use your Identification card, or a county library card if you are in need to borrow materials, but a Fo Guang Card will be best.

Upon entering the library, please respect others around, and refrain from making excessive noise. Speak softly if needed.

Fo Guang Yuan Art Gallery

There are many treasures to discover at Hsi Lai Temple, which include the beloved Fo Guang Yuan Art Gallery treasure trove. The gallery offers:

  • A rich collection of Buddhist artifacts from around the world and Chinese art.
  • An authentic relic of the Buddha.
  • Beautiful woven tapestry with the threads and colors depicting the Life of the Buddha that extends floor-to-ceiling.
  • Complete sutras carved on the tiniest grains of rice or pieces of jade.

Another sparkling gemstone of the gallery is the room of mirrors which creates a visual and thought-provoking experience!

  • Within this exhibit, look for your own endless reflection (of non-self) amidst the limitless, infinite images of magnificent Bodhisattvas and awakened Buddhas.
  • Looking into the cosmos and seeing all the worlds---world, after world, after world---is also seeing our interdependence and our interconnectedness, much like the interreflection among jewels.
  • Each jewel (Buddha) shines beauty upon the other jewels; and in turn, all the other jewels shine beauty back.
  • We, like the jewels, give and receive light; therefore, the entire cosmos is contained and illuminating within us.
  • The Buddha’s world is our world; our world is the Buddha’s world. Be the Light!

The gallery is open Tuesday through Sunday, on the courtyard level near the Tea Room. There is a nominal entrance fee of $1.00 per person to support and to maintain the gallery.

Art Exhibitions

A stream of renowned artists, from around the world, are continually invited to share their breath-taking creations with us in the Fo Guang Yuan Art Gallery. Every few weeks, a new exhibit is featured. Whether, through pottery, glass, wood, watercolor, oil, mixed media, collage, or photography, the unique art pieces always seem to have an inspiring story to share. If luck is with you, you might even personally meet and chat with the guest artist.

Tea House and Bookstore

Located between the Art Gallery and Dining Hall, the Tea House and Bookstore is a place for visitors to browse and enjoy refreshments during their visit. The bookstore carries many publications, DVDs, and CDs on Humanistic Buddhism, as well as Buddhist statuary, incense, as well as other altar essentials.

Mountain Gate

The temple gate is typical to many Chinese temples and is a welcoming sign to all visitors to Fo Guang Shan Hsi Lai Temple. It demarcates a transition from the mundane ordinary world to the more spiritual and sacred world and lists the four universal vows of Buddhism on each of its pillars. The four vows on the pillars represent the main vows that all Buddhists try to achieve. They are: sentient beings are boundless, I vow to help them; afflictions are endless, I vow to end them; the teachings are limitless, I vow to learn them; the path to Buddhahood is peerless, I vow to attain it. In a sense, it is through these vows and aspirations that we are able to truly enter Buddhism as a spiritual path. These vows are also the basis of the bodhisattva path as practiced in Mahayana Buddhism.
*link ITC Development of Mahayana’s Four Universal Vows

Courtyard

The Courtyard is paved with concrete rectangles which represent rice paddies. This patty-field pattern was designed during the Buddha’s lifetime for monastic robes and represents the planting of good deeds, or blessings. This is a symbolic way for Buddhists coming to the temple to be reminded of what they should be doing to ensure they are on the right moral path. Just like planting for a good harvest requires diligent tilling, planting, and weeding, spiritual practice requires constant attention and awareness of our actions.